GPC-0003
Black ink on squared paper
43 x 41 cm
Private collection, courtesy Fondazione Marconi, Milan
43 x 41 cm
Private collection, courtesy Fondazione Marconi, Milan
GPC-0005
Black ink on squared paper
32 x 26 cm
Lorenzo and Marilena Bonomo Collection
32 x 26 cm
Lorenzo and Marilena Bonomo Collection
GPC-0009
Torn tracing paper applied to white paper
34 x 23.3 cm
Collection of the artist
34 x 23.3 cm
Collection of the artist
GPC-0010
Primed canvas mounted front and reverse on polyethylene
36 x 19 cm
Collection of the artist
36 x 19 cm
Collection of the artist
GPC-0013
Blueprint
Two parts 40.3 x 53.1 cm each, overall dimensions 40.3 x 108.2 cm
Private collection, Milan
Two parts 40.3 x 53.1 cm each, overall dimensions 40.3 x 108.2 cm
Private collection, Milan
GPC-0014
Folded paper mounted inside a folder with a cut-out
33.5 x 50 cm
Collection of the artist
33.5 x 50 cm
Collection of the artist
GPC-0015
Folded and torn paper, metal tacks
33.5 x 25.5 cm
Collection of the artist
33.5 x 25.5 cm
Collection of the artist
GPC-2082
Collage on blueprint
Two parts 42 x 55 cm each, overall dimensions 42 x 112 cm
Collection of the artist
Two parts 42 x 55 cm each, overall dimensions 42 x 112 cm
Collection of the artist
GPC-0016
Sheet of drawing paper with autograph inscription, square of drawing paper
65 x 47 cm
Private collection, Turin
65 x 47 cm
Private collection, Turin
GPC-0017
Sheet of drawing paper with autograph inscription, envelope
55.7 x 44 cm
Private collection
55.7 x 44 cm
Private collection
GPC-0018
Sheet of drawing paper with autograph inscription, crumpled sheet of foolscap paper
Present whereabouts unknown
Present whereabouts unknown
GPC-0019
Sheet of drawing paper with autograph inscription, sheet of foolscap paper
65 x 50 cm
Private collection, St. Gallen (Switzerland)
65 x 50 cm
Private collection, St. Gallen (Switzerland)
QRcode
Senza titolo, 1960
GPC-0001
Untitled
Pencil on torn paper
35 x 50 cm
Signed and dated on the verso, centre: “Giulio Paolini / 1960”
Collection of the artist
If the work is framed, the cut-out of the white passepartout must not be even with the torn sheet, but must have some leeway on each of the four sides.
| 2004 | Saint-Etienne, Musée d’art moderne, Cabinet des dessins N° 1. Quelle est l’origine d’une œuvre?, 20 March - 2 May, no catalogue. |
| 2006 | Bergamo, GAMeC Galleria d'Arte Moderna e Contemporanea, Giulio Paolini. Fuori programma, 6 April - 16 July, col. repr. pp. 82-83 (exhibition view), repr. p. 84. |
| • | Giulio Paolini (Parma: Università di Parma, Centro Studi e Archivio della Comunicazione, 1976), repr. no. 2. |
| • | Giulio Paolini, exhibition catalogue, Amsterdam, Stedelijk Museum, 1980, repr. p. 11. |
| • | Il Grande Disegno, exhibition catalogue, Fiesole, Palazzina Mangani (Florence: Fratelli Alinari Editrice, 1983), repr. p. 83. |
| • | G. Paolini, Voix off (Mâcon: Éditions W, 1986), repr. p. 51. |
| • | Giulio Paolini. Von heute bis gestern / Da oggi a ieri, exhibition catalogue, Graz, Neue Galerie am Landesmuseum Joanneum (Ostfildern-Ruit: Cantz Verlag, 1998), repr. p. 191. |
| • | Giulio Paolini 1960-1972, exhibition catalogue, Milan, Fondazione Prada, 2003, repr. p. 45. |
| • | I. Bernardi, Giulio Paolini. Opere su carta: un laboratorio gestuale per la percezione dell’immagine (Turin: Prinp Editore, 2017), pp. 27, 29, 30, 32, 218, repr. p. 28. |
Entry by Ilaria Bernardi and Maddalena Disch, 29/01/2026
