Autoritratto come marionetta, 1992

The drawing outlined on the wall recalls a room in perspective, with several "paintings" lined up at the viewer's eye level (four drawn squares and a primed canvas). An overturned canvas hanging at the bottom of the wall, overlapping and staggered in relation to a drawn square, simulates a painting on the ground propped up against the back wall of a virtual room. At the point where the diagonals marked in red pencil intersect, a cut-out square simulates a "case" with respect to the plinth outlined in the foreground of the drawing. This cut-out also recalls a puppet theatre, animated by several elements hanging behind the cut-out empty square: two disassembled stretchers with their crossbars arranged so that they evoke vaguely anthropomorphic features, a men's jacket stuck between the two stretchers, and a canvas rolled in the manner of a scroll evoke a "self-portrait as a marionette".