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Ercole e Lica, 1981

GPO-0444

Hercules and Lichas

White-painted wooden volume, fabric, plaster casts

Wooden volume 170 x 110 x 60 cm, overall dimensions variable

FRAC Grand Large – Hauts-de-France, Dunkerque

Acquired in 1983, inventory no. 83.58.1-11

Various plaster casts of body parts are strewn about on the ground and tied together by a long piece of red cloth, which emerges from a wooden parallelepiped, to then drop down to the floor.
Continuing the story recalled in a previous work, whose protagonists are Nessus, Hercules, and Lichas (cf.
Nesso, 1977, GPO-0374), the work harkens back to the episode in which Hercules wears a tunic soaked in Nessus’ poisoned blood (which explains the use of the colour red). Aware of the deception, he becomes infuriated with his companion Lichas, throws him into the sky and turns him to stone. The concatenation between the two moments in the story is manifested in the size of the parallelepiped, which is big enough to contain Nessus’ mass.

1981 Cologne, Galerie Paul Maenz, Giulio Paolini, 30 June - 1 August.
1982 Amsterdam, Stedelijk Museum, ’60-’80: Attitudes / concepts / images, 9 April - 11 July, cataloge with two volumes, main volume: repr. p. 186, volume with exhibition views: repr. p. 62.
1983 Lille, Musée des Beaux-Arts, Collections du FRAC Nord-Pas de Calais, June, no catalogue.
1984 Calais, Musée des Beaux-Arts, Collections du FRAC Nord-Pas de Calais, June-September, no catalogue.
1985 Rennes, Musée des Beaux-Arts, Sur/Exposition. Regards sur l’exposition d’art contemporain, 8 March - 12 May, entry by R. Breton and H. Crenn p. 24, repr. p. 25.
1985-86 Lille, Musée de l’Hospice Comtesse, Collections du FRAC Nord-Pas de Calais, November 1985 - January 1986, no catalogue.
1986 Lille, Opéra, Sculptures et Musique, December, no catalogue.
1987 Chambéry, Musée Savoisien, Turin 1965-1987. De l’Arte Povera dans les collections publiques françaises, 8 March - 11 May, touring to: Lille, Musée de l’Hospice Comtesse, 13 July - 30 August; La Roche-sur-Yon, Musée municipal, 22 September - 16 November, cat. no. 37 p. 78, repr.; exhibited only in Chambéry.
1987 Tours, Centre de création contemporaine, Arte Povera, 19 June - 6 September, no catalogue.
1989 Anzin, Château Dampierre, Références ou détournements, November-December, no catalogue.
1995 Brussels, Anciens Magasins Old England - Futur Musée des Instruments, Les Fragments du Désir. Collections en exposition: Œuvres du FRAC Nord-Pas de Calais, 2 June - 17 September, no catalogue.
2000 Liévin, Ecole La Fontaine, Allan McCollum, “Natural Copies from the Coal Mines of Central Utah”, 1995. Giulio Paolini, “Ercole e Lica”, 1981, 15 September - 17 November, no catalogue.
2004 Dunkerque, FRAC Nord-Pas de Calais, Interlude 1: Arte Povera. Variations pour la collection du FRAC Nord-Pas de Calais, 3 April - 31 July, no catalogue.
2017 Koksijde, Kunstencentrum Ten Bogaerde, Good Boy Bad Boy, 24 June - 24 September, no catalogue (?).
E. Franz, “Del bello intelligibile – Die geistige Schönheit”, in Giulio Paolini. Del bello intelligibile, exhibition catalogue, Bielefeld, Kunsthalle Bielefeld, 1982, p. 9, repr.; republished in Pratiques. Réflexions sur l’Art 2 (Rennes), Autumn, 1996, p. 43, repr.
FRAC Nord-Pas de Calais. Acquisitions 1983 (Dunkerque: 1983), loose entry with text by J. Coucke, repr.
M. Disch, Giulio Paolini. Catalogo ragionato 1960-1999, vol. 1 (Milan: Skira editore, 2008), cat. no. 444 p. 454, col. repr.
Entry by Maddalena Disch, 11/05/2026