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Non plus ultra, 1989

GPO-0636

Crates, table, chair, glass sheets, stretchers, white plinth, sheets of white paper

Dismantled work

An assemblage of various materials, which can be related to the preparations for an exhibition, either overlap or cover each other to form a pile in precarious balance, rising up almost as far as the ceiling, or, as the title tells us: non plus ultra (nothing further beyond). Arranged on a packing crate on the ground, which serves as a support structure for the whole, are an upside-down table, a smaller crate, an upside-down chair, and a glass sheet, one on top of or inside the other. In between the legs of the table is a large stretcher, while a second stretcher, wedged inside a wooden structure, is kept in balance by a white-painted wooden base. Sticking out between the various objects are rolls or sheets of blank paper; another sheet is placed across the glass sheet at the top of the pile.

1989 Paris, Galerie Yvon Lambert, Giulio Paolini, 15 April - 18 May.
M. Castello, “Percezione e mito. Giulio Paolini”, in Tema Celeste 22-23 (Syracuse), October-November, 1989, col. repr. p. 27; international edition: 24, January-March, 1990, p. 39.
F. Poli, Giulio Paolini (Turin: Lindau, 1990), repr. no. 139.
Eighty. Sculpture des années 80 / Sculpture of the 80’s ([Belgium]: Eighty Publications, 1990), col. repr. p. 161.
Giulio Paolini. Von heute bis gestern / Da oggi a ieri, exhibition catalogue, Graz, Neue Galerie im Landesmuseum Joanneum (Ostfildern-Ruit: Cantz Verlag, 1998), repr. pp. 26, 287.
M. Disch, Giulio Paolini. Catalogo ragionato 1960-1999, vol. 2 (Milan: Skira editore, 2008), cat. no. 636 p. 654, col. repr.
E. Volpato, “Iconografie della malinconia”, in Collezioni. Volume terzo: Allestimento 2011-2013, edited by D. Eccher (Turin: GAM Galleria Civica d’Arte Moderna e Contemporanea and Umberto Allemandi & C., 2012), p. 212, not repr.
Entry by Maddalena Disch, 07/07/2026